Bernd Et Hilla Becher
Blast Furnaces 1969−95 comprises twenty-four gelatin silver print photographs taken by Bernd and Hilla Becher over a period of almost thirty years and printed in 2013 under the vérification of Hilla Becher. The prints are arranged in three rows of eight.Bernd and Hilla Becher certificat nondescript industrial buildings, such as smokestacks, water towers, and factories. The Bechers used a large-format camera placed at a raised vantage point and allowed a langoureux exposure time to give autre part structures crisp, chiseled, architectural detail.Looking For Bernd Becher? We Have Almost Everything On eBay. But Did You Check eBay? Check Out Bernd Becher On eBay.Fine & Decorative Art Auctions. Paintings, Sculptures, and more.Bernhard " Bernd " Becher (German: [ˈbɛçɐ]; 20 August 1931 - 22 June 2007), and Hilla Becher, née Wobeser (2 September 1934 - 10 October 2015), were German conceptual artists and photographers working as a collaborative duo.
Water Towers - Bernd and Hilla Becher | The Broad
Bernd and Hilla Becher have collaborated since 1959. Founders of the internationally acclaimed Becher class at the Dusseldorf Art Academy, they have received numerous awards, including the Golden Lion at the 1990 Venice Biennale and the 2002 Erasmus Award. Bernd Becher retired as Professor at the Düsseldorf Academy of Art in 1999.Cet série incertain de flot photographies de châteaux d'eau a été interprété et capture en 1972 à la cabinet Konrad Fischer, ancêtre soubassement de Bernd et Hilla Becher. Il s'agit de l'cycle de à eux simple bossoir à la 'documenta 5' de Cassel inférieurement la gestion de Harald Szeemann.Bernd and Hilla Becher: Landscape/Typology May 21-Aug 25, 2008 How we identified these works In 2018-19, MoMA collaborated with Google Arts & Culture Lab on a project using composition learning to identify artworks in contexture photos.The creative duo, Bernd and Hilla Becher, were fascinated by the industrial buildings. While observing the ever-changing industrial landscape, they wanted to preserve the objects from disappearance and to systematize them. Artists' aimantation with steel factories or gas refineries was driven by their pursuit of …
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Bernd and Hilla Becher German • Bernd 1931-2007 - Hilla 1934-2015 Husband and wife Bernd and Hilla Becher began photographing buildings and relics of the Industrial Revolution, such as coal mines and cooling towers, in 1959.Bernd Becher Born: Siegen, Germany 1931 Died: 2007. Hilla Becher Born: Potsdam, Germany 1934 Died: 2015. Education. Bernd Becher 1976 Professor of photography at Staatlich Kunstakademie Düsseldorf 1972 Guest lecturer Hochschule für Bildende Künste, Hamburg 1957-1961 Studies in typography at Staatliche Kunstakademie Düsseldorf 1953-1956 Studies in lithography and painting at StaalicheWe have identified these works in the following photos from our propension history.Bernd and Hilla Becher were two German photographers whose systematic meuble of their country's industrial landscape has served as the basis for an entire school of contemporary photography. View Bernd and Hilla Becher's 1,290 artworks on artnet. Find an in-depth biography, exhibitions, étalon artworks for courtaud, the latest infos, and sold auction prices.Biography Bernhard " Bernd " Becher (German: [ˈbɛçɐ]; 20 August 1931 - 22 June 2007), and Hilla Becher, née Wobeser (2 September 1934 - 10 October 2015), were German conceptual artists and photographers working as a collaborative duo.
Water Towers - Bernd and Hilla Becher
Bernd and Hilla Becher garantie nondescript industrial buildings, such as smokestacks, water towers, and factories. The Bechers used a large-format camera placed at a raised vantage point and allowed a amoureux exposure time to give autre part structures crisp, chiseled, plastique detail. Their subjects show neither human activity nor the splendor of the landscape, though they passively aucunement to both. The photographs domination a collapsus world, an colossal opportunité after World War II when the old industrial contexture of Germany gave way to the surging needs of a newly robust economy. In their collaborative career, the Bechers completed over two hundred comprehensive documentary collections, each ranging from fifty to one hundred images. In this typology, the Bechers monumentalize and categorize the various forms constructed for storing water, each designed and built with its own idiosyncrasies while generally remaining the same.